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Selected Fine Arts Topics

Module name (EN):
Name of module in study programme. It should be precise and clear.
Selected Fine Arts Topics
Degree programme:
Study Programme with validity of corresponding study regulations containing this module.
Cultural Management, Master, ASPO 01.04.2020
Module code: MAKM-315
Hours per semester week / Teaching method:
The count of hours per week is a combination of lecture (V for German Vorlesung), exercise (U for Übung), practice (P) oder project (PA). For example a course of the form 2V+2U has 2 hours of lecture and 2 hours of exercise per week.
4SU (4 hours per week)
ECTS credits:
European Credit Transfer System. Points for successful completion of a course. Each ECTS point represents a workload of 30 hours.
6
Semester: 3
Mandatory course: no
Language of instruction:
German
Assessment:
Written composition, presentation

[updated 24.09.2020]
Exam recurrence:
The information regarding exam recurrence is found within the exam policy of the study programme (ASPO).
Applicability / Curricular relevance:
All study programs (with year of the version of study regulations) containing the course.

MAKM-315 Cultural Management, Master, ASPO 01.04.2020 , semester 3, optional course
Workload:
Workload of student for successfully completing the course. Each ECTS credit represents 30 working hours. These are the combined effort of face-to-face time, post-processing the subject of the lecture, exercises and preparation for the exam.

The total workload is distributed on the semester (01.04.-30.09. during the summer term, 01.10.-31.03. during the winter term).
60 class hours (= 45 clock hours) over a 15-week period.
The total student study time is 180 hours (equivalent to 6 ECTS credits).
There are therefore 135 hours available for class preparation and follow-up work and exam preparation.
Recommended prerequisites (modules):
None.
Recommended as prerequisite for:
Module coordinator:
Prof. Dr. phil. Christian Bauer
Lecturer:
Dozierende des Studiengangs


[updated 06.11.2019]
Learning outcomes:
Depending on their thematic focus, students will be able to:
 
_        describe and classify works of fine art chronologically,
_        trace the development of art historical periods in their logical sequence,
_        assign sources to their respective period and evaluate them,
_        discuss visual art themes across periods,
_        weigh art theoretical positions against each other and to support them argumentatively.
_        select and critically discuss works, sources and art-theoretical texts from the visual arts for an exhibition, for example, on the basis of specific themes and periods,
_        evaluate the meaningfulness and necessity of exhibition content and based on this, make and justify cultural management decisions.


[updated 24.09.2020]
Module content:
Depending on the thematic focus, e.g. _Kunst und Körper (Art and the Body)_:
Since the very beginning of art, man has been concerned with representing the body. How has the image of the body and the human being changed in history? And how is this reflected in art history and art theory?
In the course of the seminar, students will receive an overview of the development of art from antiquity to contemporary art based on the concept of the body. In addition, we will look at cross-sectional topics and monographic approaches in order to expand our knowledge. Meanwhile, students will develop, expand and deepen their basic knowledge about the different periods in fine arts, art theoretical approaches from different centuries and art historical sources.


[updated 24.09.2020]
Teaching methods/Media:
_        Seminar
_        Group work
_        Knowledge of relevant sources
_        Presentation and preparation of documentation/written compositions
_        Study trips


[updated 24.09.2020]
Recommended or required reading:
Literature will be compiled according to the respective topic. In-depth literature research is required and is an integral part of the course.
Literature examples:
 
_        Belting, Hans: Menschenbild und Körperbild, Münster 2000.
_        Moskatova, Olga (Hg.): Jenseits der Repräsentation. Körperlichkeiten der Abstraktion in moderner und zeitgenössischer Kunst, München/Paderborn 2013.
_        Weiss, Philipp: Körper in Form. Bildwelten moderner Körperkunst, Bielefeld 2010.
_        Wyss, Beat (Hg.): Den Körper im Blick : Grenzgänge zwischen Kunst, Kultur und Wissenschaft, Paderborn 2008.


[updated 24.09.2020]
 
[Tue Dec 24 17:00:40 CET 2024, CKEY=katdb, BKEY=kmm4, CID=MAKM-315, LANGUAGE=en, DATE=24.12.2024]